is a photographer, writer, curator, and researcher who investigates the implications of historical racial and social structures in relation to the development of contemporary black life and identity within America. Focusing on the ways history influences the contemporary cultural milieu of the American black middle class and the history of urban and suburban planning, she explores current political and social themes related to historical forms of oppression, discrimination, segregation, and black identity.
has a wide-ranging conceptual practice and is best known for his multimedia abstract paintings and collages with scavenged materials and weathered and incised surfaces that often reveal the atrocities and struggles of race and poverty. His profound insight and inventiveness have established him as one of the most significant and influential artists of his generation. Bradford has been widely exhibited internationally and is the recipient of numerous awards, including the U.S. Department of State’s Medal of Arts in 2014 and a MacArthur Fellowship in 2009.
creates figure drawings, collages, and installations that depict her subject’s relationship to culturally loaded objects and landscapes. She participated in residencies at Artpace (TX), the McColl Center for Art + Innovation (NC), and the Skowhegan School of Painting and Sculpture (ME). Charlton received a Pollock-Krasner grant (2012) and Rubys Artist grant (2014) and was a 2015 Janet & Walter Sondheim Prize finalist.
is a conceptual artist working across photography, video, and installation. Based in Washington, D.C., Cook earned his MFA from George Washington University (2013) and his BA in photography from SUNY Plattsburgh (2010). He has exhibited his work nationally at MoMA PS1 (2020), UTA Artist Space (2020), the National Portrait Gallery (2019), and internationally at Weiss Berlin in Germany (2020).
Working in multiple mediums, Dyson describes herself as a painter whose forms address the continuity of ecology, infrastructure, and architecture. She merges ideas such as site and built environments and nature and culture under the rubric of environmentalism. Fascinated with transformations, ambiguities, and environmental changes that place these subjects in relation to each other, her practice investigates our connections to imagination, materiality, geography, and belonging.
lives and works in Chicago. Gates creates works that engage with space theory and land development, sculpture, and performance. Drawing on his background in urban planning and preservation, Gates redeems spaces left behind. His work contends with the notion of Black space as a formal exercise defined by collective desire, artistic agency, and the tactics of a pragmatist. In 2010, Gates created the Rebuild Foundation, a nonprofit platform for art, cultural development, and neighborhood transformation on Chicago’s South Side.
has exhibited widely across the U.S. and abroad. Her work as been the subject of institutional solo exhibitions at Massachusetts Museum of Contemporary Art (MASS MoCA) and Atlanta Contemporary. Select recent group exhibitions include there is this We, Sculpture Milwaukee; The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Virginia Museum of Fine Arts (traveling); Shifting Horizons, Nevada Museum of Art; Enunciated Life, California African Art Museum; More, More, More, TANK Shanghai; Indicators: Artists on Climate Change, Storm King Art Center.
uses a hybrid approach to photography and sculpture to revisit the still-life genre from a post-minimalist perspective. Hewitt’s assemblages often include personal mementos as well as books and vintage magazines that refer to the Black literary and popular culture ephemera of her youth.
is an interdisciplinary artist based in Brooklyn, NY. Her work has been the subject of solo exhibitions and special projects at LAXART, Los Angeles (2013); RISD Museum, Providence (2015); the Museum of Modern Art (2015); MASS MoCA, North Adams, MA (2016); Jeu de Paume, Paris (2017); Nottingham Contemporary, UK (2018); the Stedelijk Museum, Amsterdam (2019); and the Contemporary Art Center Cincinnati (2021), among others.
is known for his drawings, videos, and installations examining the historical and contemporary experiences of African Americans and the Black body and identity. Using references to hip hop, science and science fiction, technology, comic books, Black political struggles, and traditional cultures, he creates a series of fictional portraits with an ambiguous but shared narrative that suggests a radical Black past, present, and future.
is an interdisciplinary artist who creates monumental scale assemblages and immersive installations. Invested in exploring the materiality of collage and improvisational gestures, her recent works include self-portraiture that dwells within the realm of imagination and mythos. Born and raised in Detroit, she draws inspiration from her childhood growing up during the crack and AIDS epidemic that created devastating and lasting effects in Black and Indigenous American communities across the US. “I didn’t have to visit a museum to understand art.
examines issues of race, class, and gender identity. Primarily working in photography and video, but also exploring everything from verse to performance. Weems has said that regardless of medium, activism is a central concern of her practice; specifically, looking at history as a way to better understand the present. She rose to prominence with her “Kitchen Table Series” in the early 1990s, examining tropes and stereotypes of African American life.
The decision to migrate – or to stay—during the Great Migration was not singular during its roughly 60-year period. In this Galley Talk, we are joined by Donald “Field” Brown, English PhD candidate at Harvard University, as he discusses the reasons why migration changed, and its relationship to the civil rights movement, in A Movement in Every Direction.
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